Hollyweird’s Latest Che Hagiography

You have to weep for the future, if people are learning about the past from Tinseltown. The latest crime against truth is called Che, a hagiography that warps history to make communist executioner Che Guevara into a hero.

“I’d like to dedicate this to the man himself, Che Guevara!” announced Benicio del Toro this May, as he received a “best actor” award for his starring role in Che, a reverent new film about the communist revolutionary. As the crowd at the Cannes Film Festival erupted in thunderous ovation, the Puerto Rico-born actor gushed that “I wouldn’t be here without Che Guevara, and through all the awards the movie gets you’ll have to pay your respects to the man!”

But some stubbornly refuse to pay their respects. Thus, the actor received a much cooler reception when Che, directed by Oscar-winner Steven Soderbergh, had a private screening in Miami Beach this past Thursday. Cuban-Americans, including the mayor of Miami Beach, protested the 4-and-a-half hour glorification of the man they consider a Stalinist mass-murderer.

Miami’s media proved equally unwelcoming. At a press conference after the screening in Miami Beach’s Byron Carlyle Theater, Marlene Gonzalez of the Spanish language America TeVe network asked del Toro about some glaring omissions in the movie. What of Che’s role in ordering the executions of ordinary Cubans? And why no mention of the forced-labor camps established on the guerilla fighter’s orders? A suddenly hurried Del Toro denied that Che bore any culpability for these horrors. He refused even to admit Che’s bitter falling out with Fidel Castro, claiming that, to the contrary, the two always got along splendidly and that Castro was genuinely heartbroken when Che was captured and killed after fighting to his last bullet.

The contrast made for a moving scene. As protestors outside the Carlyle Theater brandished pictures of relatives murdered by Che Guevara, del Toro paid tribute to their murderer. Questions about Che’s brutalities — meticulously recorded in books like Exposing the Real Che Guevara — he brushed aside as the embittered fabrications of Cuban exiles.

The following day, del Toro flew to Havana to present his film at the Havana Film Festival and hob-knob with Castro regime officials. Che was billed as the highlight of the festival and the Stalinist regime rolled out the carpet for their honored guest.

Del Toro publicly thanked the Cuban regime for research assistance.

That del Toro considers the Cuban regime a reliable source for the film is telling. Consider that the Castro government has jailed more political prisoners as a percentage of population than Stalin’s and executed more people (out of a population of 6.4 million) in its first three years in power than Hitler’s executed (out of a population of 70 million) in it’s first six. These figures come from the human rights group Freedom House and from the Black Book of Communism, authored by French scholars and translated into English by Harvard University Press, not exactly headquarters for the vast-right wing conspiracy.

It’s no accident that moonbat-infested Tinseltown produces grotesquely distorted historical stories. As Orwell noticed:

Who controls the past controls the future.

Those who share the socialist vision of the future as a boot stamping on a human face have powerful friends in Hollyweird.

On a tip from Steve G. Cross-posted at Moonbattery.

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